Skip to content
Orbit Signal covers the latest in space technology, satelli…

Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it results in a hilariously staged chaotic run on the forest trails that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film releases in British and Irish cinemas from November 17.

AR
About the author

Alison Rodriguez

Elara Vance is a space technology journalist with over a decade of experience covering satellite systems and space missions.

Orbit Signal

Type to search articles.