Baby Review: An Astute Portrait of LGBTQ+ Brazilian Hustlers Lost in the Established Order

Capturing the urban restlessness and dynamic spirit of São Paulo, director Marcelo Caetano's bracing drama centres on those who inhabit the outskirts of an constantly evolving metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) faces a critical turning point; deserted by his parents, the impressionable young man discovers refuge in the arms of others.

On an night on the town with his rowdy group of queer and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler over double his age. Bathed in the pulsating light of a neon-lit porn cinema, their first meeting is physical and passionate, with an hint of risk. Ronaldo swiftly initiates Wellington to the underground scene of sex work and selling drugs.

A Study of Understanding Instead of Sensationalism

Caetano depicts Wellington’s new life of crime with gentle sympathy as opposed to as a exploitative warning story. Now using the alias Baby, he approaches his transactional encounters with brash fearlessness and touching naivety. To his customers, Wellington lends not only his youth and his body, but also moments of care.

In the hectic energy of São Paulo, filled with bustling alleyways and vibrant storefronts, there’s a deep-seated solitude, as adrift individuals hold fast to one another for momentary bliss.

"The urban landscape can be filled with danger, yet they are also the space where they can forge familial bonds, too."

A Complex Dynamic of Affection and Power

Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their relationship is derailed by envy and monetary insecurity. Dangers posed by nefarious characters in the shadow economy are overshadowed by the dread of state surveillance and jail time, epitomized by the constant sight of police officers making their rounds.

Baby is especially potent as a keen observation of the lost people who have slipped through the gaps the established structure. The film functions as a heartfelt exploration into survival, found community, and the pursuit of self within a demanding urban landscape.

Alison Rodriguez
Alison Rodriguez

Elara Vance is a space technology journalist with over a decade of experience covering satellite systems and space missions.